Since Interstellar Space, John Coltrane’s posthumously released duo album with Rashied Ali, the combination of sax and drums has received an aura of sublime spiritual ambition.
It is where tireless truth seekers come together to aim for something transcendental. Something too big for words. Of course, a lot has happened in the meantime. The available options – philosophically, stylistically, temperamentally – are endless. Musicians are aware of those historical turning points, yet they also try to add their own twists and interpretations. Some of them succeed. One of reed player Mattias De Craene’s many projects – MDC III - is a project involving drums and saxophone. A striking difference: De Craene invited two drummers (Simon Segers, Lennert Jacobs), that have been active in the worlds of jazz, pop, free improvisation and experimental music. They are the ideal foil for De Craene’s vision, which seems to exclude no opposites.
The result is many things at once, but despite these wildly varying colors, sounds, textures, rhythms and moods, they are all linked, part of a generous, iridescent whole.