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The Commotions


  1. 1.
    Bad Girl
  2. 2.
    Good Enough
  3. 3.
    Right Kind of Wicked
  4. 4.
    Let Me Kiss You Baby
  5. 5.
    Come Clean
Some people let adages and axioms slide off their shoulders. Others recognize their essential wisdom and run with them.
A sterling example of the latter is the The Commotions, for whom the sage chestnut, “Go big or go home” acts as a kind of roadmap for navigating the way forward.
The Commotions write epic, sparkling, uncommonly skilled jazzy, funky soul/pop that, depending on the song, conjure everything from Motown to Stax to Jake and Elwood. If this was the 1970s, The Sonny & Cher Show would be duking it out with Lola Falana to book the band for a marquee spot.
That’s not to say The Commotions are retro, exactly, though their forebears are well served by the band’s unparalleled musicianship and palpable enthusiasm. Rather, as musical director, producer, songwriter, and tenor sax ace Brian Asselin explains, The Commotions are more about reclaiming the spirit of soul that the beforementioned imprints — and the legendary artists on their rosters — championed.
Except, of course, The Commotions do it bigger.


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