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Goat Girl


  1. 1.
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  2. 2.
    The Man
  3. 3.
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Goat Girl belong to a burgeoning, close-knit south London scene, born in venues like The Windmill and including bands like Shame, Bat-Bike, Fat White Family, Horsey, Sorry, and many more.
"We help each other - I put you on, you put me on - because we genuinely like each other's music. We'd played gigs all over before but never really settled in a comfortable environment, which is what The Windmill is. It's an important place for us, it was the first space that our music made sense to exist within. It's a safe space where music is genuinely listened to and appreciated, and where laws and licensing haven't reached over to ruin the venue."
This live freedom enabled the band to think without constraints when it came to recording. Goat Girl enlisted producer Dan Carey (The Kills, Bat For Lashes, Franz Ferdinand) to help them capture their vision, set a goal to write and record a piece of music in a day in effort to capture that raw first-creation moment, and chose to record to tape. "We wanted it to have a similar expression to our live sets and so knew from the start that a tape-based approach would work for us. There's less awareness of trying to achieve perfection as you can't edit out mistakes and so you allow them to occur instead. It felt like a really relaxed and natural environment, and you can hear the comfortability in the energy of our sound.


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