Boasting a mix of Southern pride, erudite lyrics, and a muscled three-guitar attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s.
Led by frontman Patterson Hood and featuring a rotating cast of Georgia and Alabama natives, the band celebrated the South while refusing to paint over its spotty past. History, folklore, politics, and character studies all shared equal space in the Truckers catalog, which offered up its first blast of gutsy, twangy rock with 1998's Gangstabilly. However, it was the band's ambitious double-disc concept album, The Southern Rock Opera, that became its unlikely magnum opus. A two-act affair, the album explored Hood's fascination with '70s Southern rock (specifically Lynyrd Skynyrd) while tackling the cultural contradictions of the region, and it helped lay the groundwork for much of the band's later work.
In 1985, college friends Mike Cooley and Patterson Hood (whose father, David Hood, was a Muscle Shoals session player who played bass on the Staple Singers' "I'll Take You There") formed a punk-inspired band named Adam's House Cat. The group split up six years later, and Cooley and Hood launched several follow-up projects before moving to different cities. They eventually returned to Athens, Georgia, where they formed Drive-By Truckers in 1996. Gangstabilly announced the band's official debut in 1998, and the follow-up album Pizza Deliverance saw Cooley emerging as a strong songwriter in his own right. (The contrast between Cooley and Hood's songs, as well as those compositions written by bandmembers Rob Malone, Shonna Tucker, and Jason Isbell, would soon prove to be one of the Truckers' biggest strengths.) In 2000, the band documented its strength as a live act with Alabama Ass Whuppin', a concert recording taken from a show in Athens.
The vision for Drive-By Truckers' heralded rock opera took shape as Hood began to address his own Southern roots. Recorded during a September heat wave in Birmingham, Alabama -- and boasting the band's three-guitar attack (à la Skynyrd) -- the album veered from nervy, powerful rock & roll to a bruised, jagged tone that recalled Neil Young & Crazy Horse. It was also an underground success, receiving a four-star rating from Rolling Stone and catching the ear of roots rock label Lost Highway, which reissued the album in 2002. Unfortunately for the label, many people who would otherwise have purchased the album already owned a copy; unfortunately for the Truckers, they were released from their contract just as their first album for Lost Highway was finished. After several months of between-label limbo, the band was picked up by New West Records, a Texas-based label that released Decoration Day in mid-2003. The album featured several songs by newcomer Jason Isbell, a young singer/guitarist who had replaced Rob Malone two years prior.
Tour dates and further lineup changes followed the album's release, with bassist Earl Hicks departing and studio musician Shonna Tucker (who was also Isbell's wife) climbing aboard to join Hood, Cooley, Isbell, and drummer Brad Morgan. The new lineup made its debut on 2004's The Dirty South, a concept album that spun Southern tales of small towns, violent sheriffs, and legendary record producers. A concert DVD, Live at the 40 Watt: August 27 & 28, 2004, arrived in 2005, followed one year later by Isbell's final album with the group, A Blessing and a Curse. In light of Isbell's decision to quit the band in favor of a solo career, pedal steel guitarist John Neff officially joined in 2007, having contributed to several Drive-By Truckers albums in the past. Brighter Than Creation's Dark introduced the revised lineup in 2008; additionally, it showcased Shonna Tucker's abilities as a songwriter, marking the first time that any of her contributions had appeared on record. Drive-By Truckers returned to the road that summer to support the record's release.
Although the band remained on tour well into 2009, the Truckers also found time to release their second concert album, Live from Austin TX, as well as a collection of unreleased material entitled The Fine Print: A Collection of Oddities and Rarities. Patterson Hood rounded out the year by recording his second solo record, Murdering Oscar (And Other Love Songs), and gathering his bandmates back together after its release for another round of recording sessions. Two albums resulted from those sessions, 2010's The Big To-Do and 2011's Go-Go Boots, both of which were released by ATO Records, and featured the group's new keyboard player, Jay Gonzalez, who also contributed to Hood's third solo effort, 2012's Heat Lightning Rumbles in the Distance. Meanwhile, New West Records combed through the band's first decade of material to help compile Ugly Buildings, Whores, and Politicians: Greatest Hits 1998-2009, which marked the band's final release for New West in August 2011. In 2012, Mike Cooley followed Hood's lead with his debut solo effort, The Fool on Every Corner, drawn from a pair of solo acoustic performances. Returning to the studio in 2013 with longtime producer David Barbe, the group (now a five-piece with the departure of John Neff and the addition of new bassist Matt Patton, who replaced Tucker after she left for a solo career) opted for a stripped-back sound for its 12th album, 2014's English Oceans. ~ Andrew Leahey & Erik Hage, Rovi