Her main personal project is the choir Voces de Ida y Vuelta (I+V), a swarm of voices, instruments and cultural interests she created with Guayarmina Calvo in 2007.
Cris bases her musical work on the influence of her teachers over the lengh of her professional career. With Enrique Muñoz fell in love with choir conducting. With Luis Ángel de Benito she learned the hardness of counterpoint and harmony, coupled with humor in academic and personal life. From Uta Weyand she will always remember what it means to lay your fingers on a keybnoard, passing it towards the tail of the piano. Cris owes Salomé Díaz her interest in Shephardic music and the inspiration to stand in front of a class and getting an unconditional audience. Cris has always been interested in rhythm and percussion, and with SRI Tas Mani learned konnakkol in Bangalore, India. And every year to this day Cris learns other cello languages from Natalie Haas and the teachers in the Crisol de Cuerda fiddle camp.
Her musica baggage was also developed in the groups she has passed through: Troca la Mora, Rastakeltia, Endor Lindë; and the people or projects she collaborates with: Madrilen Txalaparta, Nacho Sotomayor.