The original group fell apart soon after, but Crain
continued to pursue a singing career; upon relocating to Houston during the early '30s, he joined a group called the New Pleasant Green Singers on the condition that they change their name to the Soul Stirrers. So rechristened, this incarnation of the quartet made a 1936 field recording for Alan Lomax
; as other members dropped out, Crain
brought in replacements, finally arriving at the classic early lineup which also included bass Jesse Farley, baritone T.L. Bruster, second lead James Medlock, and, most notably, lead R.H. Harris, whose high, crystalline voice remains the inspiration for virtually all great male quartet leads to follow since. After moving to Chicago, the Soul Stirrers began shifting away from the signature tight harmonies and compact songs of traditional gospel towards a harder style distinguished by shifting leads and performances elongated to increase their emotional potency; they also began performing new material from the pens of Thomas A. Dorsey
, Kenneth Morris, and others.
Throughout the 1940s, the Soul Stirrers' reputation grew; not only were they constantly on tour, but they booked most of the major gospel programs in the Chicago area -- in their spare hours, they even operated their own cleaning business. When the grind got to be too much for Medlock, he retired from the road, and was replaced by onetime Golden Echo Paul Foster. In early 1950, the Soul Stirrers signed to the Specialty label, debuting with the single "By and By"; it was quickly followed by "I'm Still Living on Mother's Prayer" and "In That Awful Hour," both originals composed by Detroit's Reuben L.C. Henry. In total, the Soul Stirrers recorded over two dozen tracks for Specialty in 1950 before Harris quit the group that same year; many predicted a dire future, especially when it was announced that his replacement was a relatively unknown 20-year-old named Sam Cooke
. When Cooke
made his recording debut with the Soul Stirrers in 1951, however, any reservations were quickly dispelled -- blessed with a gossamer voice even sweeter and more graceful than Harris', he would take the group to even greater heights than before.
The first Soul Stirrers 78 to feature Cooke
, "Jesus Gave Me Water," was a major hit, and with his good looks the young singer made an instant impact with female audiences, in the process becoming the gospel circuit's first sex symbol. The group's popularity continued to soar, but as the Soul Stirrers entered their third decade, the daily grind began to wear on its members, and soon Bruster retired; he was replaced by baritone Bob King, who also doubled as a guitarist, becoming their first-ever steady instrumentalist. In 1954, the Soul Stirrers briefly added Julius Cheeks
to their roster; after lending his raspy vocals to a recording of "All Right Now," however, contractual obligations forced him to exit almost as quickly as he arrived. In 1956, Cooke
finally crossed over to the pop market, and was replaced by ex-Highway QCJohnnie Taylor
; while Taylor
himself would also enjoy pop success in the years to follow, he failed to command the same devotion as his predecessor. Lineup changes continued regularly in the years to follow, but the Soul Stirrers forged on, with new, younger members keeping the group afloat into the 1990s. ~ Jason Ankeny, Rovi