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Catherine Wheel

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  1. 1.
    Black Metallic
    7:180:30
  2. 2.
    Crank
    3:450:30
  3. 3.
    I Want To Touch You
    4:400:30
  4. 4.
    Judy Staring At The Sun - Tanya Donelly
    3:560:30
  5. 5.
    Texture
    4:190:30
Like many other British guitar bands of the early '90s, Catherine Wheel relied heavily on distortion as a way of creating texture and using their airy vocals as atmosphere.
While their melodies are actually quite straight-forward, they are submerged in layers of guitar effects and droning chords. Like Lush and Ride, Catherine Wheel's blend of hooks and white noise are pop songs, not free-form explorations with a floating melody. It is that quality that created a buzz in Britain around their first EP, She's My Friend, in 1991. Their subsequent two albums, 1992's Ferment and 1993's Chrome, earned them a solid fan base in England. The heavy rock attack of 1995's Happy Days increased their following in America; Like Cats and Dogs, a collection of B-sides and unreleased tracks, followed in 1996, and a year later, Catherine Wheel issued their fourth studio LP, Adam and Eve. After a four-year hiatus, the band resurfaced with Wishville, their first album for new label Columbia. ~ Stephen Thomas Erlewine, Rovi

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