A living, walking example of the hippie dream gone terribly awry, before Manson and his family went on the killing spree that virtually undermined and eventually destroyed the peaceful atmosphere of the Southern California community, the fledgling musician tried several times, unsuccessfully, to land a recording contract.
First venturing to California in the mid-'50s, Manson soon found himself serving yet another stint in prison (by age 30 he had lived half of his life behind bars). But, after a time spent living in Washington state, Manson arrived in Southern California in 1967 in hopes of becoming a hippie singer/songwriter. Settling in Topanga Canyon, the quasi prophet met several of L.A.'s most prominent musicians including Neil Young
, Dennis Wilson
, and Doris Day's
son, producer Terry Melcher
. The very idea that someone like Manson was fraternizing with a Beach Boy
and the son of Doris Day
is indicative of the blurred reality that existed in Southern California at the time. Yet, though his music and views are easily dismissable today, at the time several people in the community, including Neil Young
, believed in Manson enough to try and secure him a record contract. Throughout 1968, Manson made demo tapes with Gregg Jakobson and Terry Melcher
and, with the influence of Dennis Wilson
, came close to inking a deal with Brother Records, the imprint of the Beach Boys
. In fact, the group reworked Manson's "Cease to Exist," re-titling it "Never Learn Not to Love" and included it on their 20/20 LP. By 1969, however, Manson and his family of hippie outcasts had suitably scared away any potential recording contracts with their increasingly disturbing behavior, and Manson never released an album of his work as a free man.