Jose Luis "El Puma" Rodríguez was born in Caracas in 1943. He was one of 12 children born to a Spanish father and a Venezuelan mother. He lost his father to cirrhosis of the liver when he was six. As a result of crippling poverty, Rodríguez did not attend school regularly because he had to work in order to help his family survive; he didn't learn to read until he was already an adult. He didn't even consider music until 1960 when, at 17, he joined a Platters' covers group called Los Zeppys. Three years later he was recruited to join Billo & His Caracas Boys, a revered Latin musical group founded in 1940. Rodríguez remained for four years, learned the ropes, and made his recording debut with the group in 1966, appearing on two albums, Nuestro Balance and Voces de Billo, Vol. I. He received critical notice for his interpretations of boleros and in interview cited his major vocal influences as Carlos Gardel, Pedro Infante, and Elvis Presley. Rodríguez was hired away from Billo & His Caracas Boys by Venezuela's state-owned TV station to act in the telenovela Angelica. It was the beginning of a long career that resulted in dozens of roles, ranging from leading men (Cristina Bazán) to drug dealers (as Puma in 2016's Border Cartel). Though Rodríguez recorded a pair of solo albums for Velvet in 1966, it was 1969's Grito al Mundo that established him as a singer. Later that year, while acting, he was signed to a one-album deal with Epic. El Triunfador didn't chart but its singles received ample airplay. While acting claimed the majority of Rodríguez's time, he signed a multi-album deal with Venezuela's Top Hits label and remained there between 1972 and 1982. It was during this period he broke out internationally with hit albums such as El Hombre en la Cima (1972), De America... (1976), and the award-winning bestseller Una Canción de España (1977). During the '70s and early '80s, Rodríguez almost always had a single or an album on the airplay charts across Latin America and in Spain. The lead single for Una Canción de España was "Voy a Perder la Cabeza por Tu Amor," composed by the great Manuel Alejandro; the song was such a massive hit, it was chosen as the theme song and plot inspiration for the following year's telenovela Cristina Bazán. In 1979, El Puma relocated to Miami, Florida in the United States. He also undertook his first U.S. tour, playing sold-out houses in Los Angeles, Miami, New York, Philadelphia, and Chicago. In 1981, CBS International lured him away from Top Hits. The rumor was, they didn't want their chief hitmaker, Julio Iglesias, to have to compete with the singer. CBS signed him in order to corner the market on male tenor ballad singers. His debut for the label was 1982's chart-topping international best-seller, Dueño de Nada. Comprised of ten songs -- eight of which were composed by Alejandro and Ana Magdalena -- Alejandro also produced the set. The album went multi-platinum. It marked the beginning of an association with CBS that resulted in five Top Ten albums in a row, including 1986's L'Idolo. The hit records continued after El Puma left CBS for Mercury. The singer delivered two charting albums for the label: 1987's Señor Corazón was foreshadowed by its non-album single, "Peacock," a track so successful in Spain, it became El Puma's theme song, and 1989's Tengo Derecho a Ser Feliz also charted. He delivered the Latin pop full-length Esta Vez in 1990, followed by two collections of mariachi songs that all sold relatively well but failed to chart. After signing with Sony Discos in early 1991, Rodríguez began another auspicious chart run with El Puma en Ritmo. All of his records during that decade, including 1992's Piel de Hombre (that included "Torero," a smash duet with rival and friend Iglesias), 1994's Razones Para Una Sonrisa, 1996's La Llamada del Amor, and the three volumes of Inolvidable with Los Panchos (1997 - 2001), all placed inside the Top 20. In addition to recording and acting, the singer proved himself a shrewd businessman. In 1995 he founded the first Venezuelan music video channel, Bravo TV, whose name would later change to Puma TV. It promoted artists, models, and singers, and showcased a wide swathe of entertainment news and programming. In 2000, Rodriguez was diagnosed with pulmonary fibromatosis, an incurable disease that decreases breathing capacity and usually leads to death. Undaunted, he continued to perform and to act, often sitting on-stage with an oxygen tank by his side as the disease progressed. Rodriguez also continued recording. Champagne appeared in 2002 on BMG in the U.S. followed -- and perhaps overshadowed -- by a massive 12-album reissue program, as did the charting European album Mujer on Ariola. A year later, Clave de Amor, a collaboration with Raul Di Blasio, also made the charts. In 2004, Rodríguez became a U.S. citizen. After two independently issued albums, Distancia and Sabor a Mexico in 2005, Rodriguez slowed down. In 2009 he joined the cast of the telenovela Gabriel, produced for Spanish-speaking audiences in the United States. That year also saw the release of Mi Amigo el Puma, his final recording of new material for eight years. In 2012 and 2013, he served as a mentor and coach on the Argentinian and Peruvian editions of La Voz. A year later, he served as a judge on X Factor Chile. He continued to perform with decreasing frequency and stamina. All the while, even as he became more reclusive, El Puma refused to discuss his health. In 2016, he re-entered a recording studio with producer Ricardo Montaner. The result was Immenso, a series of contemporary duet recordings of his many hits. Artists included on this collaborative date were Spain's Chayanne, who performed on a new version of his 1989 smash "Culpable Soy Yo," that was issued as a pre-release single. Mexican vocalists Vincente Fernandez and Carlos Rivera appeared, as did Spanish singer Amaia Montero and Argentine vocalist Soledad Pastorutti. American guitarist Nile Rodgers accompanied Rodriguez on "Pavo Real." Immenso was released in April of 2017.
In December, El Puma underwent double-lung transplant surgery. Six months later, he granted a rare interview to Colombian radio station W Radio, stating he had been so weak before the surgery, he thought he would die any day. He also said he had been waiting several years for a miracle. Since the donor of his new lungs was not a singer, El Puma explained that he needed to retrain himself to sing. He set a 2020 goal for returning to the stage. ~ Thom Jurek, Rovi