The single won the quartet a deal with United Artists, who issued both "Nasty Nasty" and "Emergency" in 1978; an eponymously titled LP debut, produced by Andy Arthurs, followed later in the year. For their sophomore effort, 1978's Separates, 999 enlisted producer Martin Rushent, resulting in a more polished, mainstream veneer for material like the near-hit "Homicide" and "High Energy Plan." After LaBrittain suffered injuries in a vehicular accident, drummer Ed Case was brought in to pick up the slack for a major U.S. tour preceding the release of 1980's The Biggest Prize in Sport; issued a short time later, The Biggest Tour in Sport EP collected
material recorded live during the group's American dates.
A healthy LaBrittain rejoined 999 full-time for 1981's Concrete, an album buffered by covers of "Li'l Red Riding Hood" and "Fortune Teller" -- an indication that the group's wellspring of creativity was running dry.
1983's 13th Floor Madness was universally panned for its disco-like grooves, although 1985's self-released Face to Face was acclaimed as a melodic return to form. At the end of the year, Watson exited the group's ranks and was replaced by bassist Danny Palmer in time to record 1987's Lust, Power, and Money, a live set cut in London.
Palmer left the band in 1991, replaced by former Lurkers member Arturo Bassick (aka Peter Arthur Billingsly), who has remained with the band since. In 1993, 999 returned with their first studio album in eight years, You Us It! Though the material didn't quite reach the heights of their
earlier releases, it certainly proved that the band was still vital and alive. Further live performances throughout the rest of the decade (at punk festivals and mini-tours) cemented the fact that the band was here to stay. ~ Steve Schnee, Rovi