Everything And Everybody indulge in the luxury of strong assertion. And the risk of not defining oneself. Not at the moment. The three draw from the transitions of music, design and fashion to create electrified pop music, restless funk riffs with heavy 80s impact and sweaty jams for never-ending nights.
In the early 2010s Anton Feist is part of Bodi Bill, a band of the hour that casually combines the loose ends of electronic dance music and folk to create a real momentum. The follow-up project The/Das goes deeper into the search for a noble and embracing techno sound. He meets Nikolas Tillmann (Le Very, NIAS) through Josefine Thomas, who designs and tailors the stagewear for both bands. Tillmann is the first one who doesn't question the music and just sings right onto it. Most recordings are first takes. It just fits.
Everything And Everybody insist on leaving their comfort zone, pushing themselves against what's coming. If the energy is right, standing and waving is enough.