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Anders Teglund

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  1. 1.
    Längst in i skåpet tejp
    3:520:30
  2. 2.
    Varannan vecka
    8:210:30
  3. 3.
    Trötta barn i trapphus
    8:590:30
  4. 4.
    Det räknas som brännbart
    3:580:30
  5. 5.
    Hede station–Göteborg Central, Göteborg Central–Hede station
    20:470:30
I played the piano all the time when I was a child. When I grew older I began to play rock. For about ten years I toured almost all the time with the bands Cult Of Luna, Mattias Alkberg and Convoj.
But then my life changed. I quit the bands, got a child and later got divorced. I moved into a rental apartment in a neighbourhood called Björkris, and I bought an acoustic piano at a flea market nearby.
In this new situation, I had to reassess my approach to playing music. I played at home after I had put my daughter to bed. I didn’t want these moments by the piano to be something characterized by productivity, and I envisaged them as a walk in my home, sort of. The piano moments became a free zone from demands and trudges.
Playing the piano in my apartment also brought other limitations and approaches compared to playing in a rehearsal room. In my home, I’m always surrounded by an involuntary, anonymous audience – my neighbours. This has affected my way of playing. Instead of endless repetitions and scale practise, I play new improvised and harmonic tunes every night. Until 10 pm when it has to be silent.
It’s now become two album called Björkris I and "Björkris II", produced by Hans Olsson Brookes. A walk in my apartment in Björkris, in the city of Kungsbacka, Sweden, where I live.

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