Chavis' performances, with his band, the Majic Sounds, included a much-heralded appearance at the Newport Folk Festival and the New Orleans Jazz and Heritage Festival. The New York Times wrote, "(Chavis is) chaos on two feet. A little bullet of a man, he runs around onstage, shouting and yelling....(his) music can achieve a trancelike intensity". In a review of Chavis' performance at the Southwest Louisiana Zydeco Music Festival, Paul Scott wrote, "There are a lot of Boozoo prototypes coming out. They may be smoother than Boozoo but they try to get his hard accordion; that rough, raw, style; and his sore throat type of singing. And with that single-note and triple-note accordion, he's doing a lot to bring a return to basic zydeco."
The son of tenant farmers, Chavis acquired his nickname as a youngster. Chavis was raised by his mother, who cleaned houses and sold barbecue at horse races until raising enough money to buy a three acre tract of land where she and Chavis moved in 1944. Acquiring an accordion from his father and teaching himself to play, Chavis was soon playing at local barn dances and in the dance club opened by his mother, where he often sat in with Morris Chenier and his sons, Clifton and Cleveland. In 1994, Chavis appeared in Robert Mugge's video documentary, The Kingdom of Zydeco. He was inducted into the Zydeco Hall of Fame four years later. Continuing to release music into the new millennium, Chavis issued Johnnie Billy Goat in fall 2000. On May 5, 2001 Chavis died after suffering from complications related to a heart attack he'd had a month earlier. ~ Craig Harris, Rovi