Released to massive worldwide success, Fancy would yield four huge singles outside the U.S. -- these included "Hey You," "7 O'Clock," "I Don't Love You Anymore," and "There She Goes Again." When it came time for its Stateside release, the band, who had by now become bonafide rockstars and media darlings back home, had their name tweaked to the London Quireboys by EMI's U.S. parent company Capitol
. With powerhouse manager Sharon Osbourne now on board, A Bit of What You Fancy initially met with an enthusiastic response in the States and things looked bright as the band embarked on its first U.S. tour. Alas, their moment in the sun was to be short-lived, as a little band from Georgia by the name of the Black Crowes
would not only steal the band's thunder, they would quickly make everyone in the U.S. forget about the band. With massive singles like "Hard to Handle" and "She Talks to Angels" leading the way, the sales of the Crowes
' debut Shake Your Money Maker would eclipse the Quireboys' sales 30 to one. On August 8, 1990, the London Quireboys returned to the U.K. for a tumultuous appearance at the legendary Castle Donnington hard rock festival, which featured Whitesnake
as headliners. The band would later release a live record (cleverly called, er, Live Album) which was never released Stateside as the band had failed to come close to replicating their Euro-success on these shores.
In 1993, the Quireboys finally released Bitter Sweet & Twisted -- their sophomore effort. Produced by producer du jour Bob Rock, the album featured 14 tracks that, for the most, part lacked the songwriting craft of the band's debut. Originally intended as a double album, many leftovers exist and remain in the vaults from these Bob Rock sessions. Having had the wind sucked out of them, the band disbanded after a bout of European touring. Post breakup, 1994 saw the release of From Tooting to Barking -- a Castle Communications collection of primitive Queerboys demos.
After the Quireboys' demise, the band's ex-members embarked on a seemingly endless parade of side projects starting with bass player Nigel Mogg and guitarist Guy Griffin, who joined forces on an ill-fated L.A.-based side project by the name of Blood from a Stone. The band quickly splintered and Mogg moved to New York to help form the much-touted Nancy Boy, featuring Donovan Leitch
's son), of all people, on vocals. Signed by legendary music maven Seymour Stein, the cooler-than-thou act released a 1996 self-titled album on Elektra. It stiffed hard. As for Gray, the singer would eventually be offered the vocalist slot in Slash's Snakepit
, but declined, choosing instead to form the short-lived God's Hotel
After putting together a 1994 cassette-only blues effort with Darrell Bath (Take out Some Insurance), the singer resurrected the Quireboys one more time for a 1995 live gig at the Newcastle Mayfair in tribute to his father who had recently passed away. For the one-off, the shoes of Nigel Mogg and Guy Griffin were filled by various members of the Almighty and Honeycrack. In 1996, Gray joined forces with now ex-Dogs D'Amour
leader Tyla to release Flagrantly Yours under the moniker Hot Knives. With commercial success now way behind him, the singer released his debut solo album, Blue Eyed Soul in 1997. The album was available through mail order only. Guy Bailey was last heard from in a band called Dog Kennel Hill while Gray fronted a band under the God's Hotel
emblem. Worthy of mention, the act features ex-Burning Tree
drummer Doni Gray on drums. In 1999, Guy Griffin resurfaced as part of a three-piece called Glimmer. The act released its self-titled debut under the Atlantic umbrella in October of that same year. In 2001, the band re-formed and released Lost in Space. This Is Rock ‘N’ Roll, Vol. 2 arrived in 2014. ~ John Franck, Rovi