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Anne Queffélec

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  1. 1.
    Choral "Jesu, meine Freude" de la Cantate "Herz und Mund Tat und Leben" en sol majeur, BWV 147 - Johann Sebastian Bach,
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    Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier - George Frideric Handel,
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  3. 3.
    Valse nonchalante en Ré-Bémol Majeur, Op. 110 - Camille Saint-Saëns,
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    Trois Gymnopedies: No. 1
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    Six Gnossiennes: No.1: Lent
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Anne Queffélec is among the most popular French pianists of her time. She is especially noted for her elegant readings of music by Satie, Mozart, and contemporary French music.
Queffélec was born in Paris on January 17, 1948. Her father was the writer Henri Queffélec, and her two brothers are respectively a mathematician and musician. Queffélec loved literature as a child but settled on music as a career and enrolled at the Paris Conservatory. She graduated after earning first prizes in both piano and chamber music, and then traveled to Vienna for further studies with the cream of that city's piano scene: Alfred Brendel, Jörg Demus, and Paul Badura-Skoda. The mix of French and Germanic influences in Queffélec's training has been evident in her career. She has often played the works of Haydn, Schubert, and Mozart (and was heard on the soundtrack of the hit Mozart biographical film Amadeus), but also Satie and Henri Dutilleux. She won first place in the 1968 Munich International Competition and fifth place in the 1969 Leeds International Competition in Britain, both prestigious events where top showings helped launch her international career. Queffélec has performed with many major orchestras both inside and outside France, including both the London Symphony and London Philharmonic Orchestras; she is especially well loved in Britain and has appeared multiple times at the BBC Proms. In France she has appeared at the Festival of La Roque-d'Anthéron and the Folle Journée de Nantes; she is a favorite guest at British festivals as well. Queffélec has been a prolific and critically acclaimed recording artist. In 1996 she issued a recording of the complete piano music of Dutilleux. She has recorded for the Virgin, Erato, and Mirare labels, especially often for the latter in the 2010s. In 2019 on that label she released a recording of Mozart's K. 331, K. 332, and K. 333 piano sonatas.

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