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Joon Moon


  1. 1.
    Chess (Opium Factory Remix) - Opium Factory
  2. 2.
    Tiger (Extended Version)
  3. 3.
  4. 4.
    Apple Day
  5. 5.
As 2015 was wrapping up, an unknown outfit called Joon Moon took the music world by surprise with its first single Chess.
The four cuts on the Call Me EP, a beguiling mix of pop and soul, electronic music and jazz, melancholy and elegy, heralded a forthcoming album that was bound to leave a blast radius on landing. And while the name and vibe of the project evokes a purple veloured, old-Hollywood universe, Joon Moon was borne out of a resolutely contemporary meeting of the minds – the kind the can only happen amidst our jetsetting music scene. After touring the world playing double bass with Marc Collin’s Nouvelle Vague ensemble, alongside excursions into house music on the Yellow Productions Art of Disco compilations, not to mention co-producing Florent Marchet’s Bamby Galaxy album, it was time for songwriter/producer/renaissance man Julien Decoret to dedicate his heart and soul to a new challenge. With Raphaël Chassin, on drums, helping out with the production and arrangements. The only missing element was that one last bit of magic, a voice that could take the project to ever-loftier heights. Enter Krystle Warren. She had worked with Rufus Wainwright, and Scritti Politti’s Green Gartside, and had made forays into house music herself by providing vocals to two cuts off Hercules and Love Affair's. That’s not even mentioning her own band, Krystle Warren and The Faculty – and its three albums – which display her impressive grasp of soul music, folk, blues...


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