Greed and Kuss get to know each other when the former was looking for a singer for new tracks. The tasteful success label Freude am Tanzen is releasing Greed's music at that time. He's touring through Europe, plays in Mexico and Australia. Also, with Mooryc he's releasing an album with the mutual project Eating Snow. After 100 gigs in national and international clubs and on festivals as well as the release of a dozen of tracks together on BPitch Control, Noir or Cocoon Records both decide to split the artistic responsibility and start writing tracks jointly.
In doing so, though, Greed and Kuss draw their energy from fundamentally different approaches. Greed describes himself as an autodidact, likes things to be decided by accident or mistakes. Kuss studied voice, has tried out every musical style imaginable in various bands and projects from jazz to funk or pop. Between these poles they merge electronic music with classic song structures into a smart and captivating listening enjoyment and continue writing their Greatest Hits of Never Arriving. Always a hard ending, always a hopeful beginning.