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Late Night Radio

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THE STORY OF LATE NIGHT RADIO STARTS IN WHAT MIGHT SEEM TO BE THE MOST UNEXPECTED OF PLACES: CHURCH.
LONG BEFORE HE COOKED UP HIS HYPNOTIC HYBRID OF ELECTRONIC MUSIC, HIP-HOP, SOUL, AND FUNK, THE ARTIST BORN ALEX MEDELLIN SPENT COUNTLESS HOURS WATCHING MOM SING TWO MASSES EVERY WEEK. LEARNING GUITAR AND PIANO THROUGHOUT HIS CHILDHOOD, OBSESSING OVER EVERYTHING FROM UGK AND DJ SCREW TO THE DOORS AND THE BEATLES, AND INTERNALIZING THOSE FORMATIVE EXPERIENCES, HE CAPITALIZES ON THAT LATENT INFLUENCE WITH HIS 2018 FULL-LENGTH DEBUT, THE APPROPRIATELY TITLED SUNDAY [PHILOS RECORDS].
“I ONLY RECENTLY REALIZED IT, BUT MY FAVORITE MUSIC IS ALWAYS HAIR-RAISING,” HE EXCLAIMS. “I’M REALLY INTO FEEL-GOOD HIP-HOP, SOUL, AND FUNK, AND ALL OF THOSE STYLES ARE ROOTED IN GOSPEL PROGRESSIONS. AS I’VE GOTTEN OLDER, THAT REALLY HAD AN EFFECT ON MY MUSIC. FOR SUNDAY, THE VISION WAS TO TAKE BITS AND PIECES OF THOSE GENRES AND CHOP THEM UP INTO SOMETHING NEW. IT WAS A NATURAL STEP FOR ME TO PAY HOMAGE TO WHAT I GREW UP ON. YOU COULD CALL IT ‘SUNDAY MUSIC’.”
IT’S ALSO A STYLE HE’S BEEN WORKING TOWARDS PERFECTING FOR NEARLY A DECADE. THE HOUSTON NATIVE BOUNCED FROM NEW ORLEANS TO AUSTIN TO TEMECULA AND EVENTUALLY BIG BEAR. DURING 2011, HE STARTED COMPOSING MUSIC FOR ONLINE VIDEOS AND COMMERCIALS BEFORE RELOCATING TO COLORADO AND SERIOUSLY PURSUING THE ART AS A CAREER, GOING FULL-TIME IN 2014.

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